“At a cer­tain point you say to the woods, to the sea, to the moun­ta­ins, the world, Now I am rea­dy. Now I will stop and be whol­ly atten­ti­ve. You emp­ty yours­elf and wait, lis­tening. After a time you hear it: the­re is not­hing the­re. The­re is not­hing but tho­se things only, tho­se crea­ted objects, dis­crete, gro­wing or hol­ding, or sway­ing, being rai­ned on or rai­ning, held, floo­ding or ebbing, stan­ding, or spread. You feel the world’s word as a ten­si­on, a hum, a sin­gle cho­ru­sed note ever­y­whe­re the same. This is it: this hum is the silence. Natu­re does utter a peep—just this one.“

(Annie Dil­lard, Tea­ching a Stone to Talk)

“If I walk along a shore towards a ship which has run aground, and the fun­nel or masts mer­ge into the forest bor­de­ring on the sand dune, the­re will be a moment when the­se details sud­den­ly beco­me part of the ship, and indis­so­lu­b­ly fused with it. As I approa­ched, I did not per­cei­ve resem­blan­ces or pro­xi­mi­ties which final­ly came tog­e­ther to form a con­ti­nuous pic­tu­re of the upper part of the ship. I mere­ly felt that the look of the object was on the point of alte­ring, that some­thing was immi­nent in this ten­si­on, as a storm is immi­nent in storm clouds.“

(Mau­rice Mer­leau-Pon­ty, Phe­no­me­no­lo­gy of Per­cep­ti­on)

«I che­rish men­tal images I have of three per­fect­ly hap­py peo­p­le. One coll­ects stones. Another—an Eng­lish­man, say—watches clouds. The third lives on a coast and coll­ects drops of sea­wa­ter which he exami­nes micro­sco­pi­cal­ly and mounts. But I don’t see what the spe­cia­list sees, and so I cut mys­elf off, not only from the total pic­tu­re, but from the various forms of happiness.“

(Annie Dil­lard. Pil­grim at Tin­ker Creek)

“The sun was now low beneath the hori­zon. Dark­ness spread rapidly. None of my sel­ves could see any­thing bey­ond the tape­ring light of our head­lamps on the hedge. I sum­mo­ned them tog­e­ther. “Now,” I said, “comes the sea­son of making up our accounts. Now we have got to coll­ect our­sel­ves; we have got to be one self. Not­hing is to be seen any more, except one wedge of road and bank which our lights repeat inces­sant­ly. We are per­fect­ly pro­vi­ded for. We are warm­ly wrap­ped in a rug; we are pro­tec­ted from wind and rain. We are alo­ne. Now is the time of reckoning.“

(Vir­gi­nia Woolf, Evening Over Sus­sex: Reflec­tions in a Motor Car)

«Pit­ching snow fil­led all the win­dows, and shapes of dark rock. I had no noti­on which way was up. Ever­y­thing was black or gray or white except the fatal crev­as­ses; ever­y­thing made noi­se and shook. I felt my face smas­hed side­ways and saw rus­hing abs­trac­tions of snow in the winds­hield. Patches of cloud obscu­red the snow fleetingly.“

(Annie Dil­lard, The Wri­ting Life)